These documents do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. Interactive Data, Excel and CSV files have been updated accordingly.ĭisclaimer: This web site contains data tables, figures, maps, analyses and technical notes from the current revision of the World Population Prospects. On 28 August 2019 a minor technical correction was made to the population projected after 2050 for selected countries and regions, and to the population interpolated by single year and single age for both sexes, see release note for further details. For advanced users who need to use these data in a database form or statistical software, we recommend to use the CSV format for bulk download. A set of Excel files containing all available indicators and other projection variants (see Definition of Projection Variants for further details), including probabilistic results, is available from the Download Center.
Pain & Glory may be Almódovar’s most resplendent and moving film, a panorama of vibrant paint-box colors and even more intense emotions-and a hymn to the mysterious whatever-it-is that keeps any of us going, in the years, months or days before our bodies betray us.This interactive data query offers data for selected indicators from the medium variant of World Population Prospects 2019. This year, Ripple Swell Global will virtually bring together the world’s most influential voices across payments, financial services, blockchain and economic policy for networking, interactive surprises and discussions with the best and brightest in the industry. But an anniversary screening of one of his older films sets off a chain of events that shifts everything: A lost love reappears as if conjured from a dream, and other bits of his past-particularly recollections of his mother, played as a young woman by a radiant Penelope Cruz-reassemble into a joyous, haunting interior monologue that demands to be explored visually, through his art. Worse yet, his suffering is so intense that he may not care instead of life after death, he’s settling for death before death, a premature leave-taking that’s a betrayal not just of his gifts, but of the time on earth any of us are given. In Pedro Almódovar’s Pain & Glory, Antonio Banderas gives the performance of a lifetime as 60-ish filmmaker Salvador Mallo-a stand-in, more or less, for Almódovar himself-who’s in so much physical pain that he’s uncertain whether he’ll ever work again.
In any life, there’s only so much time to do all we want and need to do.
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